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John Cale : Slow Dazzle
1975


  1. Mr Wilson
  2. Taking It All Away
  3. Dirty Ass Rock And Roll
  4. Darling I Need You

  5. Heartbreak Hotel
  6. I'm Not The Loving Kind
  7. Guts
  8. The Jeweller

Mr Wilson

Dm
F
I believe you, Mr Wilson
G
C
I believe you anyway
Dm
F
And I'm always thinking of you
G
C
When I hear your music play
Bb
Am
Gm
And you know it's true
Am
Bb
Am
Gm
That Wales is not like Californ-i-a in any way
Am
Bb
When I listen to your music
Am
Gm
You're still thousands of miles away
Take your mixes, not your mixture Add some music to our day Don't believe the thing they tell you Don't let them get in your way And you know it's true That Wales is not like Californ-i-a in any way When I hear to your music You're still thousands of miles away Whisper, whisper, got a monkey on my back Whisper, whisper, tell your tale and watch my back Funicello, though I never met you once I know your movies, in the Sea and Serenade And you know it's true That Wales is not like Californ-i-a in any way When I hear to your music You're still thousands of miles away
Eb
F
Gm
F
California wine tastes fine California wine tastes fine California wine tastes fine


Taking It All Away

C
Am
Em
D
x2
C
D#
F
C
Oh you sentimental fool
C
D#
F
C
Yes, you sentimental fool
Em7
F
G
Em7
F
G
Love those broken ways made you so afraid
Em7
F
G
C
Of that wishful wishing well
Well you're in misery and in pain Well now you're in misery and in pain So she broke your heart and you let her die Well that's your name and that's the game
Am
F
C
Because they're taking it all away
Am
F
C
They're taking it all away
Am
F
C
G
They're taking it all away
Because they're taking it all away They're taking it all away They're taking it all away


Dirty Ass Rock And Roll

Well now it's too damn early and your eyes are bleeding From the vicious bottle the night before And the last thing you need is a nicety-nice And small talk crawls out your ears Maybe it makes you feel just like an undercover Sigmund Freud I hear it makes you feel just like an undercover Sigmund Freud Hey there, hey now, hey there, hey now Well you can make a pacemaker blink, yeah, easy thing Make a man's heart go bibbity-bom bippity-bom bippity-bom Like a gentle blue pill to inject the chill And no one knew that it ever meant So go on, go on, go on, darling, go on Yeah go on, go on darling, go on, go on Yeah, the secretaries and typewriters chattering away Chatter, chatter, chatter, chatter Chatter, chatter, chatter, chatter away It ought to make you sick when you hear a woman cry When she don't get just whatever she wants But not my woman, she just keeps on keeping on That's my woman, my woman That moving on shuffle side to side That sure can turn me on That dirty-ass rock and roll Dirty-ass rock and roll Yeah, dirty-ass rock and roll Oh, dirty-ass rock and roll Whoa dirty-ass rock and roll Oh oh yeah dirty-ass rock and roll Oh oh Hey now, hey now, hey now, hey now And the beach is a thing if the bees don't sting Like complaining from a downtown whore I got my plasma patches and my hypodermic in hermetically sealed kid gloves Ah tell me Tell 'em, tell me how you like it Ah tell me Tell it, tell it how you like it Ah dirty-ass rock and roll Oh dirty-ass rock and roll Yeah dirty-ass rock and roll Yeah oh dirty-ass rock and roll Oh oh dirty-ass rock and roll Yeah dirty-ass rock and roll Yeah dirty-ass rock and roll Yeah yeah dirty-ass rock and roll


Darling I Need You

C
G
C
G
x2
C
G
C
G
Woke up early this morning Something wrong inside my head Took a look around for breakfast First thing I see is you're not there
Dm
C
So where were you, where were you? Where were you, when I needed you? Where were you, where were you?
Am
G
When I needed you to see me through?
Oh something wrong, now what's gone wrong here? Looked in the mirror, broken white! Lucky to be alive and kicking Kicking not alive around here But where were you, ah where were you? Yeah where were you when I needed you? Where were you, where were you? When I needed you to see me through?
Gsus4
G
C
C7
F
Ah - ah, 'cause darling, darling, darling I need you, yeah Darling, darling, darling I do Darling, darling, darling I need you Yes you know I do
C
C7
F
F
x4
Shefton brought me the message Said you got out at Galveston Church of Christ Jesus, Kentucky Rattlesnakes and strychnine and prayer So where were you, where were you? Yeah, where were you when I needed you? Where were you, where were you? When I needed you to see me through? Oh, darling, darling, darling I need you 'Cause darling, darling, darling I do Oh darling, darling, darling I need you Yes you know I do


Heartbreak Hotel

<Elvis Presley>
Since my baby left me I found a new place to dwell Down at the end of lonely street Heartbreak Hotel Oh, feeling so lonely baby Feeling so lonely baby Feeling so lonely baby I could die The bell hop's tears keep flowin' The desk clerk's dressed in black They been so long on lonely street They never will get back Oh, 'cause they're feeling so lonely baby Feeling so lonely baby Feeling so lonely baby They could die So if your baby leaves you And you have a tale to tell Why not just take a walk down lonely street Straight to Heartbreak Hotel Where you could be so lonely And I could be so lonely We could be so lonely We could die


I'm Not The Loving Kind

Capo:
III
|
G
D/f#
|
F
C/e
|
Dm7
Dm7/g
|
C
F/c
|
C
F/c
C
G
When my lady passes me by
C
F/c
C
G
I lose the love I thought I had in mind
E/g#
Am
Send no flowers or words of regret
Dm7
F/g
C
F/c
'Cause I'm not the loving kind
C
F/c
C
G
Day by day I was hoping you'd be
C
F/c
C
G
The kind of love that would give me peace of mind
E/g#
Am
But it may just have passed me by
Dm7
F/g
C
'Cause I'm not the loving kind
Am
G#+
C/g
D/f#
Ahh, ahh, ahh, ahh
Dm7
F/g
C
I'm not the loving kind
Am
G#+
C/g
D/f#
Ahh, ahh, ahh, ahh
Dm7
F/g
C
I'm not the loving kind
C
F/c
C
G
You don't believe it, yes it must be true
C
F/c
C
G
How I lost all the love I had in you
E/g#
Am
Send me please no words of regret
Dm7
F/g
C
'Cause I'm not the loving kind
Ahh, ahh, ahh, ahh I'm not the loving kind Ahh, ahh, ahh, ahh I'm not the loving kind |
G
D/f#
|
F
C/e
|
Dm7
Dm7/g
|
C
F/c
|


Guts

Bb
|
Eb/bb
|
Bb
|
Eb/bb
Bb
Eb
The bugger in the short sleeves fucked my wife
Bb
Eb
Did it quick and split
Bb
Eb
F
Back home, fresh as a daisy to Maisy, oh Maisy
Eb
Bb
And the twelve-bore that stood in the corner
Eb
Bb
Quite operatic in its self disgust
Eb
Bb
Blew him all over the living room floor
Cm7
C#
Bb/d
Eb
F
Like parrot shit, parrot spit, parrot shit was shot
Now suppose it was someone familiar Someone we all would know Embarrassing denouement, ne c'est pas? Oh, familiar hyper belief And there would go the secret plot The piss had missed the hole in the pot Like that ancient teenage dream From soul to poison, soul to poison, soul
Eb
Bb
Eb
Bb
Guts, guts, got no guts
Eb
Bb
F
And stitches don't help at all
Eb
Bb
Eb
Bb
Guts, guts, got no guts
Eb
Bb
Holes in the body, holes in the legs
Eb
Bb
Holes in the forehead, holes in the head
Eb
Bb
Holes in the body, holes in the legs
F
There should never be holes at all
F
There should never be holes at all
Bb
|
Eb/bb
|
Bb
|
Eb/bb
So, kill all you want, or more Make sure, do it right Dead is dead And door nails forget And then you'll notice How the waster and the wasted Get to look like one another In the end, in the end In the end, in the end In the end, in the end


The Jeweller

Very slowly he sipped his tea, not shifting his glance from the thick double spaced printing he read with his jeweller's eye. Engrossed in his corner, he passed onto the other inhabitants of the room. A scrawled insularity of time and space. For both passed him by with the speed of light, not unlike the flow of substance, however varied, into that lysergic entity known as the black hole. He was hardly ugly for his time, and conversation was certainly not lost on him. Drastic measures were called for, and as in antiquity the lonely man was blessed with wisdom to the point of desperation. But there in his corner, developing around him like a sun, was a climate of such rare beauty that sight and sound could no longer be considered sufficient food for the senses. And he had begun to notice, as his hearing failed, that mind and matter were in no way connected to one other, as if in fact the one could not propose and prove its erotic existence in terms of the other. "What does this word mean?" he enquired of the solemn waiter hopefully. "Nothing for desert sir", came the reply, "perhaps a cocktail, demitasse or a herbal essence, it helps the breathing you know sometimes". "The bill, if you don't mind", quickly he shot back. And as the patter of the feet faded in the room, for he barely heard them now, his eye slowly began to close, and by the time he emerged on the sunny street he was forced to rely entirely on the other eye for help, but happily it continued its many functions, blinking gently for lubrication, and registering images. It was rush hour, in Hawaii only 10 AM. So, turning into his street, he stopped at the drug store and bought an eye patch that soon covered the reluctant eye. Climbing the stairs he pondered what to do next, he would call a doctor and have tests made, eat nourishing food and if necessary consent to surgery, the last resort of the gambling man. And at 1 AM he awoke from a dream and after fumbling his way in the obsolescent light of his room he peered into the rusty veins of his mirror and lifted away the patch. What he saw astonished him. Where once was tremulous tissue and membrane was now a follicle and perfectly formed vagina with vulva, overgrown and mysterious, unrevealing and still to the untrained eye. But in the deep dark recesses of that sticky occlusion lay the unclosing watchful eye of disgust in its closing moments, lunging forward and hungry for the cold light of days.