You say no one famous ever came from here
When you're growing up in a small town
And you're having a nervous breakdown
And you think that you'll never escape it
Yourself or the place that you live
Where did Picasso come from
There's no Michelangelo coming from Pittsburgh
If art is the tip of the iceberg
I'm the part sinking below
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A
D
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G
A
D
. |
A
D
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G
A
D
. |
When you're growing up in a small town
Bad skin, bad eyes, gay and fatty
People look at you funny
When you're in a small town
My father worked in construction
It's not something for which I'm suited
Oh, what is something for which you are suited?
Getting out of here
I hate being odd in a small town
If they stare let them stare in New York City
At this pink-eyed painting albino
How far can my fantasy go?
I'm no Dali coming from Pittsburgh
No adorable lisping Capote
My hero, oh do you think I could meet him?
I'd camp out at his front door
There's only one good thing about a small town
There's only one good use for a small town
There's only one good thing about a small town
You know that you want to get out
When you're growing up in a small town
You know you'll grow down in a small town
There's only one good use for a small town
You hate it and you'll know you have to leave
Open House
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D
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G
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D
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Bm
|
D
G
D
Bm
Please come over to 81st Street, I'm in the apartment above the bar
D
G
D
Bm
You know you can't miss it, it's across from the subway and the tacky store with the Mylar scarves
D
G
D
G
My skin's as pale as outdoors moon, my hair's silver like a Tiffany watch
D
G
D
Bm
I like lots of people around me but don't kiss hello, and please don't touch
A
It's a Czechoslovakian custom my mother passed on to me
G
The way to make friends, Andy, is invite them up for tea
D
G
D
G
Open house, open house
D
G
D
G
I've got a lot of cats, here's my favorite, she's a lady called Sam
D
G
D
Bm
I made a paper doll of her, you can have it, that's what I did when I had St. Vitus' dance
It's a Czechoslovakian custom my mother passed on to me
Give people little presents so they'll remember me
Open house, open house
My mother showed up yesterday, we need something to eat
I think I got a job today they want me to draw shoes
The ones I drew were old and used they told me
Draw something new
Open house, open house
D
G
D
G
Fly me to the moon, fly me to a star
D
G
D
Bm
But there are no stars in the New York sky, they're all on the ground
You scared yourself with music, I scared myself with paint
I drew 550 different shoes today, it almost made me faint
Open house, open house
Open house, open house
|
D
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Bm
A
G
F#m
|
D
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Style It Takes
|
C
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F9
|
x2
C
F9
You've got the money, I've got the time
C
F9
You want your freedom, make your freedom mine
Am
Dm
G
'Cause I've got the style it takes
Am
Dm
G
And money is all that it takes
You've got connections and I've got the art
You like attention and I like your looks
And I have the style it takes
And you know the people it takes
G
F
Why don't you sit right over there
G
We'll do a movie portrait
G
F
I'll turn the camera on, and I won't even be there
G
A portrait that moves, you look great I think
I'll put the Empire State Building on your wall
For 24 hours glowing on your wall
Watch the sun rise above it in your room
Wallpaper art, a great view
I've got a Brillo box and I say it's art
It's the same one you can buy at any supermarket
'Cause I've got the style it takes
And you've got the people it takes
This is a rock group called The Velvet Underground
I show movies on them, do you like their sound?
'Cause they have a style that grates
And I have art to make
Let's do a movie here next week
We don't have sound but you're so great
You don't have to speak
C
F
Fm
You've got the style it takes, kiss
You've got the style it takes, eat
You've got the style it takes, couch
You've got the style it takes, kiss
Work
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D
G
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x8
Andy was a Catholic
The ethic ran through his bones
He lived alone with his mother
Collecting gossip and toys
A
Every Sunday when he went to church
He'd kneel in his pew and he'd say
D
G
D
G
D
G
D
G
"It's work, all that matters is work"
He was a lot of things
What I remember the most
He'd say, "I've got to bring home the bacon
Someone's got to bring home the roast"
He'd get to the Factory early
If you'd ask him he'd a told you straight out
"It's work"
No matter what I did it never seemed enough
He said I was lazy, I said I was young
He said, "How many songs did you write?"
I'd written zero, I lied and said, "Ten"
"You won't be young forever
You should have written fifteen"
It's work
You ought to make things big
People like it that way
And the songs with the dirty words
Make sure your record them that way
Andy liked to stir up trouble
He was funny that way
He said, "It's just work"
Andy sat down to talk one day
He said, "Decide what you want"
"Do you want to expand your parameters
Or play museums like some dilettante"
I fired him on the spot
He got red and he called me a rat
It was the worst word that he could think of
I'd never seen him like that
It was work, I thought he said it's just work
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D
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x8
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D
G
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x4
Andy said a lot of things
I stored them all away in my head
Sometimes when I can't decide what I should do
I think what would Andy have said
He'd probably say, "You think too much
That's 'cause there's work that you don't want to do"
It's work, the most important thing is work
It's work, the most important thing is work
Trouble With Classicists
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A
Asus2
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G
D
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x4
A
Asus2
G
D
The trouble with a classicist, he looks at a tree
That's all he sees, he paints a tree
The trouble with a classicist, he looks at the sky
He doesn't ask why, he just paints a sky
The trouble with an impressionist, he looks at a log
He doesn't know who he is, standing, staring at this log
And surrealist memories are too amorphous and proud
While those downtown macho painters are just alcoholic
A
The trouble with impressionists
That's the trouble with impressionists
That's the trouble with impressionists
That's the trouble with impressionists
The trouble with personalities, they're too wrapped up in style
It's too personal, they're in love with their own guile
They're like illegal aliens trying to make a buck
They're driving gypsy cabs, but they're thinking like a truck
That's the trouble with personalities
That's the trouble with personalities
That's the trouble with personalities
That's the trouble with personalities
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A
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x8
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F#
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G
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F#
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E
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x2
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E
|
|
A
Asus2
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G
D
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x4
I like the druggy downtown kids who spray-paint walls and trains
I like their lack of training, their primitive technique
I think sometimes it hurts you when you stay too long in school
I think sometimes it hurts you when you're afraid to be called a fool
That's the trouble with classicists
That's the trouble with classicists
That's the trouble with classicists
That's the trouble with classicists
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A
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x8
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F#
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G
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F#
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E
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x2
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E
|
|
A
| ...
Starlight
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A
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G
D
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x2
A
G
D
A
Starlight open wide, starlight open up you door
This is New York calling, with movies from the street
Movies with real people, what you get is what you see
Starlight open wide, Andy's Cecil B. DeMille
F
Em
G
Come on LA, give us a call
F
Em
G
We've got superstars who talk, they'll do anything at all
F
Em
G
Ingrid, Viva, Little Joe, Baby Jane, and Eddie S
F
Em
A#
A
G#
G
But you'd better call us soon, before we talk ourselves to death
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A
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G
D
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x2
Starlight open wide, everybody is a star
Split-screen eight hour movies, we've got color, we've got sound
Won't you recognize us, we're everything you hate
Andy loves old Hollywood movies, he'll scare you hypocrites to death
You know that shooting up's for real
That person who's screaming, that's the way he really feels
We're all improvising five movies in a week
If Hollywood doesn't call us, we'll be sick
Starlight open wide, do to movies what you did to art
Can you see beauty in ugliness, or is it playing in the dirt
There are stars out on the New York streets, we wanna capture them on film
But if no one wants to see 'em, we'll make another and another
Starlight let us in that magic room
We've all dreamt of Hollywood, it can't happen too soon
Won't you give us a million dollars the rent's due
Andy will give you two movies and a painting, starlight open wide!
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A
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G
D
| ...
Faces And Names
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F7
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x4
F7
Faces and names, I wish they were the same
F7
G
Faces and names only cause trouble for me
F7
Faces and names
If we all looked the same and we all had the same name
I wouldn't be jealous of you or you jealous of me
Faces and names
A#m
F7
I always fall in love with someone who looks
A#m
F7
The way I wish that I could be
A#m
F7
I'm always staring at someone who hurts
G
C
And the one they hurt is me
Faces and names, to me they're all the same
If I looked like you and you looked like me
There'd be less trouble, you'd see
Faces and names, I wish they'd go away
I'd disappear into that wall and never talk
Talk not talk
I wish I was a robot or a machine
Without a feeling or a thought
People who want to meet the name I have
Are always disappointed in me
Guitar break over verse chords
Faces and names, I wish they were the same
Faces and names only cause problems for me
Faces and names
I'd rather be a hole in the wall, looking on the other side
I'd rather look and listen, listen not talk
To faces and names
If I had a breakdown when I was a kid
If I lost my hair when I was young
If you dress older when you are not
As you really age, you look the same
If we all looked the same, we wouldn't play these games
Me dressing for you, you dressing for me
Undressing for me
Faces and names, if they all were the same
You wouldn't be jealous of me, or me jealous of you
F7
Me jealous of you, you jealous of you
Your face and your name
Your face and your name
Faces and names
Faces and names
Images
E
I think images are worth repeating
Images repeated from a painting
Images taken from a painting
From a photo worth re-seeing
A
I love images worth repeating
Project them upon the ceiling
Multiply them with silk screening
See them with a different feeling
E
Images, those images
Images, those images
Some say images have no feeling
I think there's a deeper meaning
Mechanical precision or so it's seeming
Instigates a cooler feeling
I love multiplicity of screenings
Things born anew display new meanings
I think images are worth repeating
And repeating and repeating
Images, oh images
Those images, images
I'm no urban idiot savant
Spewing paint without any order
I'm no sphinx, no mystery enigma
What I paint is very ordinary
I don't think I'm old or modern
I don't think I think I'm thinking
It doesn't matter what I am thinking
It's images are worth repeating
And repeating, those images
Images
If you're looking for a deeper meaning
I'm as deep as this high ceiling
If you think technique is meaning
You might find me very simple
You might think the images are boring
Cars and cans and chairs and flowers
And you might find me personally boring
Hammer, sickle, Mao Tse Tong
Mao Tse Tong
Those images, those images
Images
I think that it bears repeating
The images upon the ceiling
I love images worth repeating
And repeating and repeating
Images, images
Those images, those images
Slip Away (A Warning)
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D
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Dsus2
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G
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G
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x2
D
Friends have said to lock the door
Dsus2
And have an open house no more
G
They said the Factory must change
D
Dsus2
G
And slowly slip away
But if I have to live in fear
Where will I get my ideas
With all those crazy people gone
Will I slowly slip away
F
Still there's no more Billy Name
Bb
Ondine is not the same
Cm
Wonton and the Turtle gone
F
Slowly slip away
Slowly slip away
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D
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Dsus2
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G
|
G
|
If I close the Factory door
And don't see those people anymore
If I give in to infamy
I'll slowly slip away
I know it seems that friends are right
Hello daylight, goodbye night
But starlight is so quiet here
Think I'll slowly slip away
What can I do by myself
It's good to here from someone else
It's good to hear a crazy voice
Will not slip away
Will not slip away
F
Bb
F
If I have to live in fear my ideas will slowly slip away
If I have to live in fear I'm afraid my life will slip away
If you can't see me past my door, why, your thoughts could slowly slip away
If I have to lock the door, another life exists no more, slip away
D
Friends have said to lock the door
Dsus2
Watch out for what comes through the door
G
They said the Factory must change
But I don't
It Wasn't Me
C/d x55555x
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A
D
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G
E
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A
D
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G
E
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A
D
G
C
It wasn't me who shamed you, it's not fair to say that
F
A#
D#
C
You wanted to work, I gave you a chance at that
F
A#
D#
G#
It wasn't me who hurt you, that's more credit than I'm worth
C#
F#
B
C/d
Don't threaten me with the things you do to you
It wasn't me who shamed you, it wasn't me who brought you down
You did it to yourself without any help from me
It wasn't me who hurt you, I showed you possibilities
The problems you had were there before you met me
A
D
G
E
I didn't say this had to be
A
D
G
E
You can't blame these things on me
A
Bm
C#m
D
It wasn't me, it wasn't me, it wasn't me
A
C#m
D
Dm
I know she's dead, it wasn't me
It wasn't me who changed you, you did it to yourself
I'm not an excuse for the hole that you dropped in
I'm not simple-minded, but I'm no father to you all
Death exists but you do things to yourself
I never said give up control
I never said stick a needle in your arm and die
It wasn't me, it wasn't me, it wasn't me
I know he's dead, but it wasn't me
|
E
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Dm
|
E
|
Dm
|
|
A#
|
F
|
A#
|
F
|
|
Gm
|
D
|
D
...
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A
D
|
G
C
|
F
A#
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D#
C
|
It wasn't me who shamed you, who covered you with mud
You did it to yourself without any help from me
You act as if I could've told you, or stopped you like some god
But people never listen and you know that that's a fact
I never said slit your wrists and die
I never said throw your life away
It wasn't me, it wasn't me, it wasn't me
You're killing yourself, you can't blame me
|
A
| ...
I Believe
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D
A
G
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x4
Valerie Solanis took the elevator, got off at the 4th floor
Valerie Solanis took the elevator, got off at the 4th floor
She pointed the gun at Andy saying you cannot control me anymore
A
D
A
D
I believe there's got to be some retribution
A
D
A
D
I believe an eye for an eye is elemental
A
D
A
D
E
I believe there's something wrong if she's alive right now
|
D
A
G
. |
x2
Valerie Solanis took three steps, pointing at the floor
Valerie Solanis waved her gun, pointing at the floor
From inside her idiot madness spoke and bang, Andy fell onto the floor
I believe life's serious enough for retribution
I believe being sick is no excuse
And I believe I would've pulled the switch on her myself
When they got him to the hospital his pulse was gone, they thought that he was dead
His guts were pouring from his wounds onto the floor, they thought that he was dead
Not until years later would the hospital do to him what she could not, what she could not
"Where were you? You didn't come to see me"
Andy said, "I think I died, why didn't you come to see me?"
Andy said "It hurt so much, they took blood from my hand"
|
D
A
G
. |
x8
I believe there's got to be some retribution
I believe there's got to be some restitution
I believe we are all the poorer for it now
E
A
E
A
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G
D
C
. |
x2
Visit me, visit me
E
A
E
A
|
G
D
C
. |
x2
Visit me, visit me
E
A
E
A
Visit me, why didn't you visit me
Visit me, why didn't you visit me
Visit me, visit me
Visit me, why didn't you visit me
|
G
D
C
. |
x8
Nobody But You
|
A
|
D
|
E
|
A
|
A
D
I really care a lot, although I look like I do not
E
A
Since I was shot, there's nobody but you
A
D
I know I look blase, party Andy's what the papers say
E
A
At dinner I'm the one who pays for a nobody like you
Nobody but you
A nobody like you
Since I got shot
There's nobody but you
Won't you decorate my house? I'll sit there quiet as a mouse
You know me I like to look a lot at nobody but you
I'll hold your hand and slap my face, I'll tickle you to your disgrace
Won't you put me in my proper place, a nobody like you?
Sundays I pray a lot, I'd like to wind you up and paint your clock
I want to be what I am not, for a nobody like you
The bullet split my spleen and lung, the doctors said I was gone
Inside I've got some shattered bone, for nobody but you
Nobody but you
A nobody like you
Shattered bone
For nobody but you
I'm still not sure I didn't die and if I'm dreaming I still have bad pains inside
I know I'll never be a bride to nobody like you
I wish I had a stronger chin, my skin was good, my nose was thin
This is no movie I'd ask to be in with a nobody like you
Nobody like you
A nobody like you
E
All my life
It's been nobodies like you
A Dream
G
It was a very cold clear fall night
I had a terrible dream
Billy Name and Brigid were playing
Under my staircase on the second floor
About two o'clock in the morning
I woke up because Amos and Archie had started barking
That made me very angry because I wasn't feeling well
And I told them I was very cross, the real me
That they just better remember
What happened to Sam the Bad Cat
That was left at home and got sick and went to pussy heaven
It was a very cold clear fall night
Some snowflakes were falling
Gee, it was so beautiful
And so I went to get my camera to take some pictures
And then I was taking the pictures
But the exposure thing wasn't right
And I was going to call Fred or Gerry
To find out how to get it set
But, oh, it was too late
And then I remembered they were still probably at dinner
And anyway, I felt really bad and didn't want to talk to anybody
But the snowflakes were so beautiful and real looking
And I really wanted to hold them
And that's when I heard the voices
From down the hall near the stairs
So I got a flashlight
And I was scared and I went out into the hallway
There's been all kinds of trouble lately in the neighborhood
And someone's got to bring home the bacon
And anyway, there were Brigid and Billy playing
And under the staircase was a little meadow
Sort of like the park at 23rd street
Where all the young kids go and play frisbee
Gee, that must be fun
Maybe we should do an article on that in the magazine
But they'll just tell me I'm stupid and it won't sell
But I'll hold my ground this time, I mean
It's my magazine, isn't it?
So I was thinking that as the snowflakes fell
And I heard these voices having so much fun
Gee, it would be so great to have some fun
So I called Billy
But either he didn't hear me or he didn't want to answer
Which was so strange
Because even if I don't like reunions I've always loved Billy
I'm so glad he's working
I mean it's different than Ondine
He keeps touring with those movies
And he doesn't even pay us and the film
I mean the film's just going to disintegrate and then what
I mean he's so normal off of drugs
I just don't get it
And then I saw John Cale
He's been looking really great
He's been coming by the office to exercise with me
Ronnie said I have a muscle
But he's been really mean since he went to AA
I mean what does it mean
When you give up drinking and then you're still so mean
He says I'm being lazy, but I'm not
I'm just can't find any ideas, I mean I'm just not
Let's face it: going to get any ideas up at the office
And seeing John made me think of the Velvets
And I had been thinking about them when I was on St. Marks Place
Going to that new gallery those sweet new kids have opened
But they thought I was old and then I saw the old DOM
The old club where we did our first shows
It was so great
I don't understand about that Velvet's first album
I mean I did the cover, I was the producer
And I always see it repackaged
And I've never gotten a penny from it
How could that be?
I should call Henry
But it was good seeing John
I did a cover for him
But I did in black and white and he change it to color
It would have been worth more if he'd left it my way
But you can never tell anybody anything
I've leaned that
I tried calling again to Billy and John
But they wouldn't recognize me
It was like I wasn't there
Why won't they let me in
And then I saw Lou
I'm so mad at him
Lou Reed got married and didn't invite me
I mean is it because he thought I'd bring too many people
I don't get it
He could have at least called
I mean he's doing so great
Why doesn't he call me?
I saw him at the MTV show
And he was one row away and he didn't even say hello
I don't get it
You know I hate Lou, I really do
He won't even hire us for his videos
And I was so proud of him
I was so scared today
There was blood leaking thought my shirt
From those old scars from being shot
And the corset I wear to keep my insides in was hurting
And I did three sets of fifteen push-ups
And four sets of ten sit-ups
But then my insides hurt
And I saw drops of blood on my shirt
And I remember the doctors saying I was dead
And then later they had to take blood out of my hand
'Cause they'd run out or veins
But then all this thinking was making me an old grouch
And you can't do anything anyway so
If they wouldn't let me play with them in my own dream
I was just going to have to make another
And another
And another
Gee, wouldn't it just be funny if I died in this dream
Before I could make another one up
And nobody called
And nobody came
Forever Changed
|
D
|
D
|
G
|
G
|
x2
D
G
Train entering the city
I lost myself and never came back
Took a trip 'round the world and never came back
Black silhouettes, criss-crossed tracks, never came back
A#
C
D5
Forever changed
A#
C
D5
Forever changed
|
A#
|
C
|
D5
|
D5
|
x2
|
D
|
D
|
G
|
G
|
x2
You might think I'm frivolous, uncaring and cold
You might think I'm empty, depends on your point of view
Society Andy who paints and records them
The high and the low, never turn back
Forever changed
Forever changed
Forever changed
Forever changed
Got to get to the city, get a job
Got to get some work to see me through
My old life's behind, I see it receding
My life's disappearing, disappearing from view
Hong Kong and I was changed
Burma, Thailand and I was changed
A few good friends to see me through
Henry and Brigid to see me through
Only art to see me through
Only heart to see me through
My old life's disappearing, disappearing from view
Forever changed
Forever changed
I was forever changed
Hello It's Me
|
A
F#m
|
E
|
x2
A
E
Andy it's me, haven't seen you in a while
F#m
D
I wish I'd talked to you more when you were alive
A
C#m
F#m
F#m7
I thought you were self-assured when you acted shy
Bm
Bm7
E
Hello it's me
A
E
I really miss you, I really miss your mind
F#m
D
I haven't heard ideas like that for such a long long time
A
C#m
E
I loved to watch you draw and watch you paint
A
C#m
E
But when I saw you last, I turned away
When Billy Name was sick and locked up in his room
You asked me for some speed, I thought it was for you
I'm sorry if I doubted your good heart
Things always seem to end before they start
Hello it's me, that was a great gallery show
Your cow wallpaper and your floating silver pillows
I wish I paid more attention when they laughed at you
Hello it's me
"Pop goes pop artist," the headline said
"Is shooting a put on, is Warhol really dead?"
You get less time for stealing a car
I remember thinking as I heard my own record in a bar
They really hated you, now all that's changed
But I have some resentments that can never be unmade
You hit me where it hurt, I didn't laugh
Your diaries are not a worthy epitaph
Oh well now Andy, I guess we've got to go
I wish someway, somehow you like this little show
I know this is late in coming but it's the only way I know
Hello it's me
|